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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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BERCKHEYDE, Job Adriaensz
Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem).
He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
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BERCKHEYDE, Job Adriaensz
Interior of the St Bavo Church at Haarlem fs
1665
Oil on oak, 61 x 85 cm
Gemäldegalerie, Dresden
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BERCKHEYDE, Job Adriaensz
Interior of the St Bavo in Haarlem
1668
Oil on canvas
Frans Halsmuseum, Haarlem
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BERCKHEYDE, Job Adriaensz
The Baker ghgj
1681
Oil on canvas
Worcester Art Museum, Worcester
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BERCKHEYDE, Job Adriaensz
A Notary in His Office
Technique Oil on canvas
Dimensions 79 x 62 cm
Current location Private collection
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BERCKHEYDE, Job Adriaensz
The Baker
Technique Oil on canvas
Dimensions ?? cm
Current location Worcester Art Museum
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BERCKHEYDE, Job Adriaensz
A Notary in His Office
Date 1672
Medium Oil on canvas
Dimensions 79 x 62 cm
cyf
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| BERCKHEYDE, Job Adriaensz
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Dutch painter (b. 1630, Haarlem, d. 1693, Haarlem).
He was apprenticed on 2 November 1644 to Jacob Willemsz. de Wet, whose influence is apparent in his first dated canvas, Christ Preaching to the Children (1661; Schwerin, Staatl. Mus.), one of the few biblical scenes in his oeuvre. On 10 June 1653 he repaid a loan from the Haarlem Guild of St Luke, which he subsequently joined on 10 March 1654. During his stay in Heidelberg, Job painted portraits and hunting scenes at the court of the Elector Palatine, who rewarded him with a gold chain, perhaps the one he wears in his early Self-portrait (c. 1655; Haarlem, Frans Halsmus.), his only documented work from the 1650s. Job is better known for his later work, which consists mainly of interior views of St Bavo's church in Haarlem and simple genre scenes recalling those of his Haarlem contemporaries Adriaen van Ostade and Jan Steen.
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